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{"id":8786435922,"title":"Strymon Dig Dual Delay","handle":"strymon-dig-dual-delay","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Strymon DIG Dual Digital Delay Pedal offers a range of unique digital delays to select and shape. With two simultaneous delays effecting your sound, the pedal not only acts as a delay, but also gives the effect plenty of atmosphere, similar to a reverb effect. With five control knobs with secondary functions, the pedal gives you as much control over shaping the delays to suit your sound. Strymon have also given the DIG the ability to make the secondary delay become independent from the master delay, allowing you to create flange and chorus like effects.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003eCreate Incredible Delays\u003c\/h3\u003e\n\u003cp\u003eWith several control knobs and 2 simultaneous delays that can be manipulated, the DIG can create a range of different delay effects. The pedal features three different delay types to choose, the first being a modern 24\/96 delay that create pure, high resolution digital delays with subtle dynamic processing. The second type is an early 80’s adaptive delta modulation, offering snappy, percussive delays, while the 12-bit pule code modulator creates dark, warm delays. Also featuring the ability to add modulation to the delay line, and five subdivisions, the DIG can deliver delays ranging from syncopated pulsing delays to spaced out echo trails.\u003c\/p\u003e\n\u003ch3\u003eTwo Simultaneous Delays\u003c\/h3\u003e\n\u003cp\u003eStrymon’s DIG pedal uses two simultaneous delay together to give the effect plenty of atmosphere. By using the two delays together, the effect sounds full and round whilst offering the ability to create new sounds and styles. The master delay can range from 20ms to 1.6s, offering slapback type delays to huge echoes. The second delay follows closely behind the master delay, but can be altered via the control knobs to create intricate echoes and atmospheric repeats. The Second delay can be set to be independent from the first delay, to create a chorus or flange delay.\u003c\/p\u003e\n\u003ch3\u003eControls and Secondary Functions\u003c\/h3\u003e\n\u003cp\u003eThe Dig Digital Delay pedal features five control knobs with secondary functions to give you as much control over shaping the three different delays. The secondary functions can be accessed by holding down both footswitches and then turning the desired knob.\u003c\/p\u003e\n\u003ch4\u003eTime \/ Delay 1 Subdivision\u003c\/h4\u003e\n\u003ch4\u003e\u003c\/h4\u003e\n\u003cp\u003eThe Time control is used to set the delay time for the master delay, whilst also acting as the master time control for both delays. In its secondary function, the time knob controls the master delays subdivision. In this mode the control sets the tap tempo subdivision for the master delay, when turned to the left the subdivision is a dotted eighth note, The centre provides a quarter note subdivision, and dialled to the right creates a half note subdivision.\u003c\/p\u003e\n\u003ch4\u003eMix \/ Filter\u003c\/h4\u003e\n\u003cp\u003eThe Mic control is used to dial in the amount of wet\/dry mix for the master delay, whilst the secondary function becomes the filter control to dial in the feedback filter response. When set to the left in this mode, the pedal delivers a high cut filter response, while the centre position produces a flat response, and when dialled to the right, offers a low cut response.\u003c\/p\u003e\n\u003ch4\u003eTime 2 \/ Sync\/Free Mode\u003c\/h4\u003e\n\u003cp\u003eThe time 2 control sets the amount of rhythmic subdivision there is between the two delays, offering Triplet, Eighth, Golden Ratio, Dotted Eighth, Dotted Quarter. Its secondary function is used to enable and disable the time sync and subdivisions, allowing the second delay to be separate from the master delay.\u003c\/p\u003e\n\u003ch4\u003eRepeats \/ Delay 2 repeats\u003c\/h4\u003e\n\u003cp\u003eThis control knob set the amount of repeats both delays have, whilst its second function only affects the second delay. When turned full to the right when using the secondary function, the number of repeats for the second delay ties with the number set for the first delay.\u003c\/p\u003e\n\u003ch4\u003eMix 2 \/ Configuration\u003c\/h4\u003e\n\u003cp\u003eMix 2 is used to control the amount of wet\/dry mix for Delay 2, allowing you to adjust how much your guitar is affected by the second delay. The secondary function lets you alter the configuration of the delay signals routing, giving you the option to choose between series, ping pong, and parallel.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","published_at":"2017-01-30T16:39:00+00:00","created_at":"2017-01-30T16:41:42+00:00","vendor":"Musicpsych","type":"Effects Pedals","tags":["Brand_Strymon","Delay","dig","digital","Dual delay","Effect","Effects Pedals","fx","guitar pedal","instruments category","instrumentsoffers","Modulation","pedal","strymon","Type_Effects Pedal"],"price":32500,"price_min":32500,"price_max":32500,"available":true,"price_varies":false,"compare_at_price":35000,"compare_at_price_min":35000,"compare_at_price_max":35000,"compare_at_price_varies":false,"variants":[{"id":29779360786,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Strymon Dig Dual Delay","public_title":null,"options":["Default Title"],"price":32500,"weight":10000,"compare_at_price":35000,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/1516\/0380\/products\/dig.jpg?v=1485794505","\/\/cdn.shopify.com\/s\/files\/1\/1516\/0380\/products\/dig2.jpg?v=1485794506"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/1516\/0380\/products\/dig.jpg?v=1485794505","options":["Title"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Strymon DIG Dual Digital Delay Pedal offers a range of unique digital delays to select and shape. With two simultaneous delays effecting your sound, the pedal not only acts as a delay, but also gives the effect plenty of atmosphere, similar to a reverb effect. With five control knobs with secondary functions, the pedal gives you as much control over shaping the delays to suit your sound. Strymon have also given the DIG the ability to make the secondary delay become independent from the master delay, allowing you to create flange and chorus like effects.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003eCreate Incredible Delays\u003c\/h3\u003e\n\u003cp\u003eWith several control knobs and 2 simultaneous delays that can be manipulated, the DIG can create a range of different delay effects. The pedal features three different delay types to choose, the first being a modern 24\/96 delay that create pure, high resolution digital delays with subtle dynamic processing. The second type is an early 80’s adaptive delta modulation, offering snappy, percussive delays, while the 12-bit pule code modulator creates dark, warm delays. Also featuring the ability to add modulation to the delay line, and five subdivisions, the DIG can deliver delays ranging from syncopated pulsing delays to spaced out echo trails.\u003c\/p\u003e\n\u003ch3\u003eTwo Simultaneous Delays\u003c\/h3\u003e\n\u003cp\u003eStrymon’s DIG pedal uses two simultaneous delay together to give the effect plenty of atmosphere. By using the two delays together, the effect sounds full and round whilst offering the ability to create new sounds and styles. The master delay can range from 20ms to 1.6s, offering slapback type delays to huge echoes. The second delay follows closely behind the master delay, but can be altered via the control knobs to create intricate echoes and atmospheric repeats. The Second delay can be set to be independent from the first delay, to create a chorus or flange delay.\u003c\/p\u003e\n\u003ch3\u003eControls and Secondary Functions\u003c\/h3\u003e\n\u003cp\u003eThe Dig Digital Delay pedal features five control knobs with secondary functions to give you as much control over shaping the three different delays. The secondary functions can be accessed by holding down both footswitches and then turning the desired knob.\u003c\/p\u003e\n\u003ch4\u003eTime \/ Delay 1 Subdivision\u003c\/h4\u003e\n\u003ch4\u003e\u003c\/h4\u003e\n\u003cp\u003eThe Time control is used to set the delay time for the master delay, whilst also acting as the master time control for both delays. In its secondary function, the time knob controls the master delays subdivision. In this mode the control sets the tap tempo subdivision for the master delay, when turned to the left the subdivision is a dotted eighth note, The centre provides a quarter note subdivision, and dialled to the right creates a half note subdivision.\u003c\/p\u003e\n\u003ch4\u003eMix \/ Filter\u003c\/h4\u003e\n\u003cp\u003eThe Mic control is used to dial in the amount of wet\/dry mix for the master delay, whilst the secondary function becomes the filter control to dial in the feedback filter response. When set to the left in this mode, the pedal delivers a high cut filter response, while the centre position produces a flat response, and when dialled to the right, offers a low cut response.\u003c\/p\u003e\n\u003ch4\u003eTime 2 \/ Sync\/Free Mode\u003c\/h4\u003e\n\u003cp\u003eThe time 2 control sets the amount of rhythmic subdivision there is between the two delays, offering Triplet, Eighth, Golden Ratio, Dotted Eighth, Dotted Quarter. Its secondary function is used to enable and disable the time sync and subdivisions, allowing the second delay to be separate from the master delay.\u003c\/p\u003e\n\u003ch4\u003eRepeats \/ Delay 2 repeats\u003c\/h4\u003e\n\u003cp\u003eThis control knob set the amount of repeats both delays have, whilst its second function only affects the second delay. When turned full to the right when using the secondary function, the number of repeats for the second delay ties with the number set for the first delay.\u003c\/p\u003e\n\u003ch4\u003eMix 2 \/ Configuration\u003c\/h4\u003e\n\u003cp\u003eMix 2 is used to control the amount of wet\/dry mix for Delay 2, allowing you to adjust how much your guitar is affected by the second delay. The secondary function lets you alter the configuration of the delay signals routing, giving you the option to choose between series, ping pong, and parallel.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e"}

{"id":8786438418,"title":"Strymon El Capistan dTape Echo","handle":"strymon-el-capistan-dtape-echo","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"heading\"\u003e\n\u003cdiv class=\"h2-title\"\u003e\n\u003ch2\u003eStrymon El Capistan dTape Echo\u003c\/h2\u003e\n\u003cspan\u003eDetails\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"short-description\" itemprop=\"description\"\u003eThe Strymon El Capistan dTape Echo offers the sound a feel of old tape echo machines, producing a classically warm and saturated delay. Featuring three tape heads with three modes each, the pedal give you control over 10 parameters to shape the delay to suit your playing. Using dTape technology and a powerful DHARC DSP, the El Capistan can deliver a wide range of tonal possibilities. The pedal also features an input for an expression pedal, stereo output, and a mono input that can be switched to TRS stereo via the internal jumper.\u003c\/div\u003e\n\u003cdiv class=\"short-description\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"short-description\" itemprop=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003eFaithfully recreated Tape EchoMachines\u003c\/h3\u003e\n\u003cp\u003eStrymon wanted to create a pedal that would recreate the effects of an old tape echo machine, offering the warm saturated tones and distinct qualities that they would deliver. After a lot of research, Strymon have crafted dTape technology to produce the tonal qualities of the tape machine. Coupled with a powerful SHARC DSP, the El Capistan is capable of producing three different tape machines with a range of different modes.\u003c\/p\u003e\n\u003ch3\u003eShape your sound\u003c\/h3\u003e\n\u003cp\u003eFeaturing three different tape machines, with three different modes, the El Capistan allows you to shape the sound of the tape machine to best suit your playing style. With 10 parameters to tweak, the pedal gives you control over the tape quality, machine health and tone shape. Create sounds that are from a pristine, studio quality tape machine, or a heavily fluctuation machine that’s been worn down. Produce a full bodied tone of a fresh tape, or choose to have a worn tape to produce gnarling qualities.\u003c\/p\u003e\n\u003ch3\u003eSound on Sound Mode\u003c\/h3\u003e\n\u003cp\u003eThe El Capistan features a sound on sound mode that mimics a moving head tape machine, giving you the ability to create a loop like effect. By switching to the single tape head and putting it it mode C, the pedal starts to record like a tape machine, allowing you to play and record your sound. By hitting the tap machine, you can set the splice in and out points to determine the length of you tape so then you can start layering sounds over one another. By hitting the bypass switch, the pedal will stop recording and then you can tweak the controls to change the sound of your loops. By setting the repeats to max, the pedal will create an infinite number of loops, and hitting the tap switch a third time erases the loop.\u003c\/p\u003e\n\u003c\/div\u003e","published_at":"2017-01-30T16:41:00+00:00","created_at":"2017-01-30T16:43:58+00:00","vendor":"Musicpsych","type":"Effects Pedals","tags":["Brand_Strymon","capistan","capitan","captain","Delay","dtape","echo","Effect","Effects Pedals","Guitar Pedal","instruments category","instrumentsoffers","Pedal","strymon","tape","Type_Effects Pedal"],"price":28900,"price_min":28900,"price_max":28900,"available":true,"price_varies":false,"compare_at_price":34900,"compare_at_price_min":34900,"compare_at_price_max":34900,"compare_at_price_varies":false,"variants":[{"id":29779398546,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Strymon El Capistan dTape Echo","public_title":null,"options":["Default Title"],"price":28900,"weight":10000,"compare_at_price":34900,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/1516\/0380\/products\/capistan.jpg?v=1485794641","\/\/cdn.shopify.com\/s\/files\/1\/1516\/0380\/products\/captistan2.jpg?v=1485794642"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/1516\/0380\/products\/capistan.jpg?v=1485794641","options":["Title"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"heading\"\u003e\n\u003cdiv class=\"h2-title\"\u003e\n\u003ch2\u003eStrymon El Capistan dTape Echo\u003c\/h2\u003e\n\u003cspan\u003eDetails\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"short-description\" itemprop=\"description\"\u003eThe Strymon El Capistan dTape Echo offers the sound a feel of old tape echo machines, producing a classically warm and saturated delay. Featuring three tape heads with three modes each, the pedal give you control over 10 parameters to shape the delay to suit your playing. Using dTape technology and a powerful DHARC DSP, the El Capistan can deliver a wide range of tonal possibilities. The pedal also features an input for an expression pedal, stereo output, and a mono input that can be switched to TRS stereo via the internal jumper.\u003c\/div\u003e\n\u003cdiv class=\"short-description\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"short-description\" itemprop=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003eFaithfully recreated Tape EchoMachines\u003c\/h3\u003e\n\u003cp\u003eStrymon wanted to create a pedal that would recreate the effects of an old tape echo machine, offering the warm saturated tones and distinct qualities that they would deliver. After a lot of research, Strymon have crafted dTape technology to produce the tonal qualities of the tape machine. Coupled with a powerful SHARC DSP, the El Capistan is capable of producing three different tape machines with a range of different modes.\u003c\/p\u003e\n\u003ch3\u003eShape your sound\u003c\/h3\u003e\n\u003cp\u003eFeaturing three different tape machines, with three different modes, the El Capistan allows you to shape the sound of the tape machine to best suit your playing style. With 10 parameters to tweak, the pedal gives you control over the tape quality, machine health and tone shape. Create sounds that are from a pristine, studio quality tape machine, or a heavily fluctuation machine that’s been worn down. Produce a full bodied tone of a fresh tape, or choose to have a worn tape to produce gnarling qualities.\u003c\/p\u003e\n\u003ch3\u003eSound on Sound Mode\u003c\/h3\u003e\n\u003cp\u003eThe El Capistan features a sound on sound mode that mimics a moving head tape machine, giving you the ability to create a loop like effect. By switching to the single tape head and putting it it mode C, the pedal starts to record like a tape machine, allowing you to play and record your sound. By hitting the tap machine, you can set the splice in and out points to determine the length of you tape so then you can start layering sounds over one another. By hitting the bypass switch, the pedal will stop recording and then you can tweak the controls to change the sound of your loops. By setting the repeats to max, the pedal will create an infinite number of loops, and hitting the tap switch a third time erases the loop.\u003c\/p\u003e\n\u003c\/div\u003e"}

{"id":8786423698,"title":"Strymon Ola Chorus \u0026 Vibrato","handle":"strymon-ola-chorus-vibrato","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Strymon Ola dBucket Chorus and Vibrato offers lush, organic effects with a range of adjustable parameters, three dynamic modes, and a selection of high quality chorus and vibrato effects, making the Ola and incredibly versatile pedal. By using dBucket algorithms and a high performance DSP, the pedal is capable of recreating the warm, sonic complexities of classic chorus’ and vibratos in a compact and lightweight design. With a favourite footswitch to save your settings, and stereo input and output, the pedal is a highly capable machine that will enhance your playing experience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003edBucket Chorus and Vibrato\u003c\/h3\u003e\n\u003cp\u003eDesigned with a dBucket algorithm and a high performance DSP, the Ola recreates the warm, sonic complexities of classic analogue chorus and vibratos. Offering three modulation types and three dynamic modes to choose from, the effects pedal features a range of adjustable parameters, with a global tone control for boosting or cutting the treble frequency of the wet signal. The pedal also features high quality analogue front end and output sections, with a stereo input and output for deliver high quality effects.\u003c\/p\u003e\n\u003ch3\u003eChorus, Multi-Chorus, and Vibrato\u003c\/h3\u003e\n\u003cp\u003eThe Ola features three high quality modulations to choose from, allowing you to select and single delay line chorus, a three-phase multi delay-line chorus, and a vintage vibrato circuit. The single chorus featured is a traditional effect, using a logarithmic LFO to create deep chorus’ that can go from lush to puling by dialling in the speed and depth controls. The multi-chorus features three individual dbucket delay sections per channel, creating a studio quality chorus that can handle a high wet mix without sounding to warped. The Vibrato effect uses a sinusoidal type LFO and a single dbucket delay-line per channel to capture the original, classic vibrato stomp pedals.\u003c\/p\u003e\n\u003ch3\u003eThree Dynamic Modes\u003c\/h3\u003e\n\u003cp\u003eAlong with the different modulations, the pedal features two modes to further enhance the effects, whilst the normal mode allows the pedal to produce a clean effect. When switched into envelope mode, the pedals effects react to the way you play, producing effects that are shaped by your sound. When chorus is selected, the wet signal diminishes when you are playing hard and comes back at low levels of playing, whilst in multi-chorus, the envelope is reversed so the wet signal increases at low playing levels and then decreases when played loud. When vibrato is selected, the speed of the vibrato increases when you play heavy and then slows down at lower levels of playing.\u003c\/p\u003e\n\u003cp\u003eWhen Ramp mode is selected, all the modulations are affected the same, allowing you to adjust the speed of the ramps via the ramp\/env control. Turn the knob clockwise to increase the speed of the ramp, and hold down the bypass footswitch to ramp in the effect.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","published_at":"2017-01-30T16:33:00+00:00","created_at":"2017-01-30T16:36:03+00:00","vendor":"Musicpsych","type":"Effects Pedals","tags":["Brand_Strymon","Chorus","dbucket","Effect","Effects Pedals","instruments category","instrumentsoffers","multi","ola","strymon","Type_Effects Pedal","vibe","vibrato"],"price":29900,"price_min":29900,"price_max":29900,"available":true,"price_varies":false,"compare_at_price":34900,"compare_at_price_min":34900,"compare_at_price_max":34900,"compare_at_price_varies":false,"variants":[{"id":29779176018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Strymon Ola Chorus \u0026 Vibrato","public_title":null,"options":["Default Title"],"price":29900,"weight":10000,"compare_at_price":34900,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/1516\/0380\/products\/ola.jpg?v=1485794224","\/\/cdn.shopify.com\/s\/files\/1\/1516\/0380\/products\/Ola_2.jpg?v=1485794224"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/1516\/0380\/products\/ola.jpg?v=1485794224","options":["Title"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Strymon Ola dBucket Chorus and Vibrato offers lush, organic effects with a range of adjustable parameters, three dynamic modes, and a selection of high quality chorus and vibrato effects, making the Ola and incredibly versatile pedal. By using dBucket algorithms and a high performance DSP, the pedal is capable of recreating the warm, sonic complexities of classic chorus’ and vibratos in a compact and lightweight design. With a favourite footswitch to save your settings, and stereo input and output, the pedal is a highly capable machine that will enhance your playing experience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003edBucket Chorus and Vibrato\u003c\/h3\u003e\n\u003cp\u003eDesigned with a dBucket algorithm and a high performance DSP, the Ola recreates the warm, sonic complexities of classic analogue chorus and vibratos. Offering three modulation types and three dynamic modes to choose from, the effects pedal features a range of adjustable parameters, with a global tone control for boosting or cutting the treble frequency of the wet signal. The pedal also features high quality analogue front end and output sections, with a stereo input and output for deliver high quality effects.\u003c\/p\u003e\n\u003ch3\u003eChorus, Multi-Chorus, and Vibrato\u003c\/h3\u003e\n\u003cp\u003eThe Ola features three high quality modulations to choose from, allowing you to select and single delay line chorus, a three-phase multi delay-line chorus, and a vintage vibrato circuit. The single chorus featured is a traditional effect, using a logarithmic LFO to create deep chorus’ that can go from lush to puling by dialling in the speed and depth controls. The multi-chorus features three individual dbucket delay sections per channel, creating a studio quality chorus that can handle a high wet mix without sounding to warped. The Vibrato effect uses a sinusoidal type LFO and a single dbucket delay-line per channel to capture the original, classic vibrato stomp pedals.\u003c\/p\u003e\n\u003ch3\u003eThree Dynamic Modes\u003c\/h3\u003e\n\u003cp\u003eAlong with the different modulations, the pedal features two modes to further enhance the effects, whilst the normal mode allows the pedal to produce a clean effect. When switched into envelope mode, the pedals effects react to the way you play, producing effects that are shaped by your sound. When chorus is selected, the wet signal diminishes when you are playing hard and comes back at low levels of playing, whilst in multi-chorus, the envelope is reversed so the wet signal increases at low playing levels and then decreases when played loud. When vibrato is selected, the speed of the vibrato increases when you play heavy and then slows down at lower levels of playing.\u003c\/p\u003e\n\u003cp\u003eWhen Ramp mode is selected, all the modulations are affected the same, allowing you to adjust the speed of the ramps via the ramp\/env control. Turn the knob clockwise to increase the speed of the ramp, and hold down the bypass footswitch to ramp in the effect.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e"}

{"id":8786441106,"title":"Strymon Riverside Multistage Drive Pedal","handle":"strymon-riverside-multistage-drive-pedal","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Strymon Riverside Multistage Drive Pedal combines the best of both analog and digital drive pedals. Using an ultra-low noise JFET circuit in the first gain stage, the pedal is incredibly responsive to your guitar, offering perfect dynamics and feel. A precision crafted DSP delivers dynamic complexity and harmonics to each gain stage, letting the amp shine at any gain level. The first stage is then digitally enhanced to maximise headroom, adding up to 20db of analog gain while also tightening the integration with the DSP gain stage. A selection of intuitive controls offers the ultimate tweaking of parameters, allowing you to find the perfect sound for you playing style, while the 3-position presence switch ensures the prefect tone on any amp. From silky clean overdrive, to colossal distortion, the Strymon Riverside Effects Pedal is the perfect addition to any player's pedalboard who wants to add harmonically rich drive tones to their sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003eBuilt to Deliver the Ultimate Distortion\u003c\/h3\u003e\n\u003cp\u003eThe Riverside pedal is designed to produce harmonically rich, versatile, tube-inspired drive sounds, bringing together the best of both analog and digital to create incredible distorted tones. A digitally enhanced JFET circuit is used in the pedal's first gain stage, provide excellent response while the digital enhancement maximises the headroom to add up to 20db of analog gain. A precision crafted DSP is also used to provide dynamic complexity, allowing the drive tones to sing at any gain stage on any amp. The riverside pedal has also been designed with specialised circuitry that ensures optimum tone, while the 3-band EQ offers excellent control over the frequencies.\u003c\/p\u003e\n\u003ch3\u003ePowerful Controls\u003c\/h3\u003e\n\u003cp\u003eThe pedal features a range of power controls to adjust the drive effect, allowing you to create the perfect sound for your playing sound. The drive control affects the amount of gain the pedal produces, while its secondary function reduces the amount of noise the pedal produces when nothing is being played. The Level control adjusts the amount of output the pedal has, and can also be used to add up to +6dB of boost. The 3-band EQ allows for further tweaking to the pedal's low, mid, and high frequencies. The gain switch can be used to toggle between a low and high pass filter, allowing you to choose between heavily overdriven sounds to clean driven sounds and heavily saturated distortion. Use the push switch to select between a driven sound that’s either clean and slightly transparent, or with a pushed mid-band EQ.\u003c\/p\u003e\n\u003ch3\u003eConnect and Enhance the Pedal's Tone\u003c\/h3\u003e\n\u003cp\u003eA favourite footswitch is added to the Riverside, allowing you to keep your favourite setup to use later without having to dial in the controls again. Use a TRS cable from the Riverside’s boost output into the expression pedal input of another Strymon pedal to link the two together, allowing you to active both favourite switches simultaneously. The boost output can also be used to connect a boost pedal that provides 6db of boost, allowing you to leave the pedal on and then use the boost to add extra punch when needed. An expression output allows the pedal to connect to an expression pedal or volume pedal, offering further control over the Riverside’s effects.\u003c\/p\u003e","published_at":"2017-01-30T16:44:00+00:00","created_at":"2017-01-30T16:46:17+00:00","vendor":"Musicpsych","type":"Effects Pedals","tags":["Brand_Strymon","Distortion","Drive","Effect","Effects Pedals","guitar pedal","instruments category","instrumentsoffers","Multistage","overdrive","Pedal","River","Riverside","Side","strymon","Type_Effects Pedal"],"price":32500,"price_min":32500,"price_max":32500,"available":true,"price_varies":false,"compare_at_price":34900,"compare_at_price_min":34900,"compare_at_price_max":34900,"compare_at_price_varies":false,"variants":[{"id":29779460434,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Strymon Riverside Multistage Drive Pedal","public_title":null,"options":["Default Title"],"price":32500,"weight":10000,"compare_at_price":34900,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/1516\/0380\/products\/riverside.jpg?v=1485794780","\/\/cdn.shopify.com\/s\/files\/1\/1516\/0380\/products\/riverside2.jpg?v=1485794782"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/1516\/0380\/products\/riverside.jpg?v=1485794780","options":["Title"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Strymon Riverside Multistage Drive Pedal combines the best of both analog and digital drive pedals. Using an ultra-low noise JFET circuit in the first gain stage, the pedal is incredibly responsive to your guitar, offering perfect dynamics and feel. A precision crafted DSP delivers dynamic complexity and harmonics to each gain stage, letting the amp shine at any gain level. The first stage is then digitally enhanced to maximise headroom, adding up to 20db of analog gain while also tightening the integration with the DSP gain stage. A selection of intuitive controls offers the ultimate tweaking of parameters, allowing you to find the perfect sound for you playing style, while the 3-position presence switch ensures the prefect tone on any amp. From silky clean overdrive, to colossal distortion, the Strymon Riverside Effects Pedal is the perfect addition to any player's pedalboard who wants to add harmonically rich drive tones to their sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003eBuilt to Deliver the Ultimate Distortion\u003c\/h3\u003e\n\u003cp\u003eThe Riverside pedal is designed to produce harmonically rich, versatile, tube-inspired drive sounds, bringing together the best of both analog and digital to create incredible distorted tones. A digitally enhanced JFET circuit is used in the pedal's first gain stage, provide excellent response while the digital enhancement maximises the headroom to add up to 20db of analog gain. A precision crafted DSP is also used to provide dynamic complexity, allowing the drive tones to sing at any gain stage on any amp. The riverside pedal has also been designed with specialised circuitry that ensures optimum tone, while the 3-band EQ offers excellent control over the frequencies.\u003c\/p\u003e\n\u003ch3\u003ePowerful Controls\u003c\/h3\u003e\n\u003cp\u003eThe pedal features a range of power controls to adjust the drive effect, allowing you to create the perfect sound for your playing sound. The drive control affects the amount of gain the pedal produces, while its secondary function reduces the amount of noise the pedal produces when nothing is being played. The Level control adjusts the amount of output the pedal has, and can also be used to add up to +6dB of boost. The 3-band EQ allows for further tweaking to the pedal's low, mid, and high frequencies. The gain switch can be used to toggle between a low and high pass filter, allowing you to choose between heavily overdriven sounds to clean driven sounds and heavily saturated distortion. Use the push switch to select between a driven sound that’s either clean and slightly transparent, or with a pushed mid-band EQ.\u003c\/p\u003e\n\u003ch3\u003eConnect and Enhance the Pedal's Tone\u003c\/h3\u003e\n\u003cp\u003eA favourite footswitch is added to the Riverside, allowing you to keep your favourite setup to use later without having to dial in the controls again. Use a TRS cable from the Riverside’s boost output into the expression pedal input of another Strymon pedal to link the two together, allowing you to active both favourite switches simultaneously. The boost output can also be used to connect a boost pedal that provides 6db of boost, allowing you to leave the pedal on and then use the boost to add extra punch when needed. An expression output allows the pedal to connect to an expression pedal or volume pedal, offering further control over the Riverside’s effects.\u003c\/p\u003e"}

{"id":9488431058,"title":"Strymon Deco Tape Saturation and Doubletracker","handle":"strymon-deco-tape-saturation-and-doubletracker","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003eThe Strymon Deco\u003c\/h3\u003e\n\u003cp\u003eThe Deco effects pedal is designed to produce vintage tape effects similar to the effects created when sound engineers manipulated the tape machines to create interesting sounds. The pedal has been designed with a single input, but is capable of stereo input, with just a flick of the jumper inside your pedal, and a TRS splitter cable to plug left and right into the pedal. The Deco is also capable of being used with your studio setup, with its studio mode allowing it to be used with hotter input signals, the pedal can be used with DAWs, mixer inserts, line level synths, and hot effect loops in guitar rigs.\u003c\/p\u003e\n\u003ch3\u003eAnalogue Tape Saturation\u003c\/h3\u003e\n\u003cp\u003eThe pedals tape saturation offers overdrive like effects, giving the guitar a boost in tonal richness and volume. By using the saturation control, the pedal can deliver subtle tape saturation and compression to a transparent overdrive. Taking inspiration from old style tape machines, Strymon have made their tape saturation smooth and warm to recreate how old tape machines sounded, creating dynamics with the touch sensitive and a harmonically rich low end.\u003c\/p\u003e\n\u003ch3\u003eTape Machine Doubletracking\u003c\/h3\u003e\n\u003cp\u003eThe Deco’s doubletracker offers tape like delays and echoes buy simulating two tapes being run at the same time, whilst giving you control over how much lag there is between the two tapes. By dialling in the lag time control, the pedal can produce a tape flange, or tape chorus, to a snapback delay, or a tape echo. By using the wobble control to add random modulation to the delay, the pedal can go from subtle movements to extreme modulation.\u003c\/p\u003e\n\u003ch3\u003eControls\u003c\/h3\u003e\n\u003cp\u003eFeatured on the Deco Pedal are five different control knobs and a three way switch to select the type of blend the pedal has. The control knobs also feature secondary controls which can be accessed by tapping and holding both bypass switches and then turning the control knobs. The saturation control is used to dial in the amount of saturation the drive has, whilst its second function is high trim that manipulates a shelving filter to tailor the high frequencies. The blend control mixes the level of the two decks whilst is second function is a double tracker boost\/cut.\u003c\/p\u003e\n\u003cp\u003eThe switch under the blend offers three types of blends; sum means that the decks are in phase, invert means that the lag deck is phase inverted, and bounce means that the lag tape is bouncing from left to right, creating a ping-pong effect.\u003c\/p\u003e\n\u003cp\u003eThe lag time control sets the delay between the two tapes, while its second function controls the auto flange time, setting the seeping time for the press-hold auto flanger. The volume control’s the output level of the reel-to-reel decks, whilst its second function is a low trim to control the high pass filter to tailor the low frequencies. Finally the wobble control adds random speed modulation to the delay, whilst its second function is a wide stereo mode that generates a wide stereo image.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eCasing:\u003c\/b\u003e Aluminium\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eBlend Types:\u003c\/b\u003e Sum\/Invert\/Bounce\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eControls:\u003c\/b\u003e\n\u003cul\u003e\n\u003cli\u003eSaturation\/High Trim\u003c\/li\u003e\n\u003cli\u003eBlend\/Doubletracker Boost\/Cut\u003c\/li\u003e\n\u003cli\u003eLag Time\/Auto-Flange Time\u003c\/li\u003e\n\u003cli\u003eVolume\/Low Trim\u003c\/li\u003e\n\u003cli\u003eWobble\/Wide Stereo Mode\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"br\"\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eInputs:\u003c\/b\u003e Jack, Expression Pedal\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eOutputs:\u003c\/b\u003e Stereo Jack\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003ePower:\u003c\/b\u003e 9V centre-negative 250mA\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2017-05-12T14:57:57+01:00","created_at":"2017-05-12T15:00:11+01:00","vendor":"Strymon","type":"Effects Pedals","tags":["Brand_Strymon","deco","Effects Pedals","instruments category","instrumentsoffers","strymon","tape saturation","Type_Effects Pedal"],"price":32500,"price_min":32500,"price_max":32500,"available":true,"price_varies":false,"compare_at_price":35000,"compare_at_price_min":35000,"compare_at_price_max":35000,"compare_at_price_varies":false,"variants":[{"id":34496652434,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Strymon Deco Tape Saturation and Doubletracker","public_title":null,"options":["Default Title"],"price":32500,"weight":0,"compare_at_price":35000,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/1516\/0380\/products\/deco.jpg?v=1494597614","\/\/cdn.shopify.com\/s\/files\/1\/1516\/0380\/products\/deco2.jpg?v=1494597616"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/1516\/0380\/products\/deco.jpg?v=1494597614","options":["Title"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003eThe Strymon Deco\u003c\/h3\u003e\n\u003cp\u003eThe Deco effects pedal is designed to produce vintage tape effects similar to the effects created when sound engineers manipulated the tape machines to create interesting sounds. The pedal has been designed with a single input, but is capable of stereo input, with just a flick of the jumper inside your pedal, and a TRS splitter cable to plug left and right into the pedal. The Deco is also capable of being used with your studio setup, with its studio mode allowing it to be used with hotter input signals, the pedal can be used with DAWs, mixer inserts, line level synths, and hot effect loops in guitar rigs.\u003c\/p\u003e\n\u003ch3\u003eAnalogue Tape Saturation\u003c\/h3\u003e\n\u003cp\u003eThe pedals tape saturation offers overdrive like effects, giving the guitar a boost in tonal richness and volume. By using the saturation control, the pedal can deliver subtle tape saturation and compression to a transparent overdrive. Taking inspiration from old style tape machines, Strymon have made their tape saturation smooth and warm to recreate how old tape machines sounded, creating dynamics with the touch sensitive and a harmonically rich low end.\u003c\/p\u003e\n\u003ch3\u003eTape Machine Doubletracking\u003c\/h3\u003e\n\u003cp\u003eThe Deco’s doubletracker offers tape like delays and echoes buy simulating two tapes being run at the same time, whilst giving you control over how much lag there is between the two tapes. By dialling in the lag time control, the pedal can produce a tape flange, or tape chorus, to a snapback delay, or a tape echo. By using the wobble control to add random modulation to the delay, the pedal can go from subtle movements to extreme modulation.\u003c\/p\u003e\n\u003ch3\u003eControls\u003c\/h3\u003e\n\u003cp\u003eFeatured on the Deco Pedal are five different control knobs and a three way switch to select the type of blend the pedal has. The control knobs also feature secondary controls which can be accessed by tapping and holding both bypass switches and then turning the control knobs. The saturation control is used to dial in the amount of saturation the drive has, whilst its second function is high trim that manipulates a shelving filter to tailor the high frequencies. The blend control mixes the level of the two decks whilst is second function is a double tracker boost\/cut.\u003c\/p\u003e\n\u003cp\u003eThe switch under the blend offers three types of blends; sum means that the decks are in phase, invert means that the lag deck is phase inverted, and bounce means that the lag tape is bouncing from left to right, creating a ping-pong effect.\u003c\/p\u003e\n\u003cp\u003eThe lag time control sets the delay between the two tapes, while its second function controls the auto flange time, setting the seeping time for the press-hold auto flanger. The volume control’s the output level of the reel-to-reel decks, whilst its second function is a low trim to control the high pass filter to tailor the low frequencies. Finally the wobble control adds random speed modulation to the delay, whilst its second function is a wide stereo mode that generates a wide stereo image.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eCasing:\u003c\/b\u003e Aluminium\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eBlend Types:\u003c\/b\u003e Sum\/Invert\/Bounce\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eControls:\u003c\/b\u003e\n\u003cul\u003e\n\u003cli\u003eSaturation\/High Trim\u003c\/li\u003e\n\u003cli\u003eBlend\/Doubletracker Boost\/Cut\u003c\/li\u003e\n\u003cli\u003eLag Time\/Auto-Flange Time\u003c\/li\u003e\n\u003cli\u003eVolume\/Low Trim\u003c\/li\u003e\n\u003cli\u003eWobble\/Wide Stereo Mode\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"br\"\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eInputs:\u003c\/b\u003e Jack, Expression Pedal\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eOutputs:\u003c\/b\u003e Stereo Jack\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003ePower:\u003c\/b\u003e 9V centre-negative 250mA\u003c\/li\u003e\n\u003c\/ul\u003e"}

{"id":135455244306,"title":"Sonor SSD12 Mikkey Dee Snare Drum","handle":"sonor-ssd12-mikkey-dee-snare-drum","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"cLeft\"\u003e\n\u003cdiv id=\"c356107\" class=\"csc-default\"\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cp\u003eMikkey, best known as the Drum-Powerhouse for Rock‘n Roll‘s loudest live-band: Motörhead, has been part of the SONOR family of artists for more than 30 years. After filling the drum throne for artists such as King Diamond \u0026amp; Dokken and having appeared on numerous recordings, Mikkey joined Motörhead in the early 90’s. His style, both unique and powerful is recognized as the key ingredient to Motörhead’s thunderous sound!\u003c\/p\u003e\n\u003cp\u003eThe 14\" x 7.25\" Snare Drum features Mikkey’s favorite shell construction, a 6 ply Birch shell. A shell that is known for its wide tuning range, powerful mids and highs, and well balanced low end. A thrilling artwork by Motörhead’s album designer Mark Devito features some of Rock’s most popular icons and perfects the latest addition to SONOR’s growing Signature Snare Drum line.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c356108\" class=\"csc-default\"\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cp\u003e\u003ci\u003e\"This is the actual size I’ve been playing all these years with SONOR. It delivers a well balanced tone and is loud enough to catch up with Motörhead. Check it out, you will love it.\"\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eMikkey Dee \u0026gt; Motörhead\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"cRight\"\u003e\n\u003cdiv id=\"c356126\" class=\"csc-default\"\u003e\n\u003cdiv class=\"csc-header csc-header-n1\"\u003e\n\u003ch2 class=\"csc-firstHeader\"\u003eSpecifications\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tx-sitscontentattribute-pi1\"\u003e\n\u003cdiv class=\"\" id=\"content_attributes_356126\"\u003e\n\u003cform method=\"POST\" name=\"content_attributes_jumper_form_356126\" id=\"content_attributes_jumper_form_356126\" action=\"http:\/\/www.sonor.com\/\"\u003e\n\u003cdiv class=\"table-responsive\"\u003e\n\u003ctable class=\"contenttable contenttable-0 hohner2-prod-table\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"tr-even\"\u003e\n\u003ctd class=\"td-0\"\u003eshell hardware finish\u003c\/td\u003e\n\u003ctd class=\"td-1\"\u003echrome 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class=\"td-0\"\u003eshell size\u003c\/td\u003e\n\u003ctd class=\"td-1\"\u003e14'' x 7,25''\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tr-odd\"\u003e\n\u003ctd class=\"td-0\"\u003eshell thickness\u003c\/td\u003e\n\u003ctd class=\"td-1\"\u003e7,2 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tr-even\"\u003e\n\u003ctd class=\"td-0\"\u003ebatter head\u003c\/td\u003e\n\u003ctd class=\"td-1\"\u003eREMO Ambassador, coated white, single ply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tr-odd\"\u003e\n\u003ctd class=\"td-0\"\u003eresonance head\u003c\/td\u003e\n\u003ctd class=\"td-1\"\u003eREMO Ambassador Resonance, smooth clear, single ply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tr-even\"\u003e\n\u003ctd class=\"td-0\"\u003ehoop\u003c\/td\u003e\n\u003ctd class=\"td-1\"\u003e2,3 mm Power Hoop, Steel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tr-odd\"\u003e\n\u003ctd class=\"td-0\"\u003etension rods\u003c\/td\u003e\n\u003ctd class=\"td-1\"\u003e20 square head screws\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tr-even\"\u003e\n\u003ctd class=\"td-0\"\u003ebearing edge\u003c\/td\u003e\n\u003ctd class=\"td-1\"\u003e45°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/form\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-01-10T13:06:20+00:00","created_at":"2018-01-10T13:08:44+00:00","vendor":"Steamboat.ie","type":"","tags":["Brand_Sonor","drums category","instrumentsoffers","Type_Snare Drum"],"price":39900,"price_min":39900,"price_max":39900,"available":true,"price_varies":false,"compare_at_price":51900,"compare_at_price_min":51900,"compare_at_price_max":51900,"compare_at_price_varies":false,"variants":[{"id":1312652689426,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SSD12","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sonor SSD12 Mikkey Dee Snare Drum","public_title":null,"options":["Default Title"],"price":39900,"weight":0,"compare_at_price":51900,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/1516\/0380\/products\/mikkey.jpg?v=1515589726"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/1516\/0380\/products\/mikkey.jpg?v=1515589726","options":["Title"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"cLeft\"\u003e\n\u003cdiv id=\"c356107\" class=\"csc-default\"\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cp\u003eMikkey, best known as the Drum-Powerhouse for Rock‘n Roll‘s loudest live-band: Motörhead, has been part of the SONOR family of artists for more than 30 years. After filling the drum throne for artists such as King Diamond \u0026amp; Dokken and having appeared on numerous recordings, Mikkey joined Motörhead in the early 90’s. His style, both unique and powerful is recognized as the key ingredient to Motörhead’s thunderous sound!\u003c\/p\u003e\n\u003cp\u003eThe 14\" x 7.25\" Snare Drum features Mikkey’s favorite shell construction, a 6 ply Birch shell. A shell that is known for its wide tuning range, powerful mids and highs, and well balanced low end. A thrilling artwork by Motörhead’s album designer Mark Devito features some of Rock’s most popular icons and perfects the latest addition to SONOR’s growing Signature Snare Drum line.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c356108\" class=\"csc-default\"\u003e\n\u003cdiv class=\"csc-textpic-text\"\u003e\n\u003cp\u003e\u003ci\u003e\"This is the actual size I’ve been playing all these years with SONOR. It delivers a well balanced tone and is loud enough to catch up with Motörhead. Check it out, you will love it.\"\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eMikkey Dee \u0026gt; Motörhead\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"cRight\"\u003e\n\u003cdiv id=\"c356126\" class=\"csc-default\"\u003e\n\u003cdiv class=\"csc-header csc-header-n1\"\u003e\n\u003ch2 class=\"csc-firstHeader\"\u003eSpecifications\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tx-sitscontentattribute-pi1\"\u003e\n\u003cdiv class=\"\" id=\"content_attributes_356126\"\u003e\n\u003cform method=\"POST\" name=\"content_attributes_jumper_form_356126\" id=\"content_attributes_jumper_form_356126\" action=\"http:\/\/www.sonor.com\/\"\u003e\n\u003cdiv class=\"table-responsive\"\u003e\n\u003ctable class=\"contenttable contenttable-0 hohner2-prod-table\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"tr-even\"\u003e\n\u003ctd class=\"td-0\"\u003eshell hardware finish\u003c\/td\u003e\n\u003ctd class=\"td-1\"\u003echrome plated\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tr-odd\"\u003e\n\u003ctd class=\"td-0\"\u003eitem name\u003c\/td\u003e\n\u003ctd class=\"td-1\"\u003eSnare Drum\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tr-even\"\u003e\n\u003ctd class=\"td-0\"\u003eseries\u003c\/td\u003e\n\u003ctd class=\"td-1\"\u003eSignature\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tr-odd\"\u003e\n\u003ctd class=\"td-0\"\u003eshell material\u003c\/td\u003e\n\u003ctd class=\"td-1\"\u003eBirch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tr-even\"\u003e\n\u003ctd class=\"td-0\"\u003elugs configuration\u003c\/td\u003e\n\u003ctd class=\"td-1\"\u003eTuneSafe\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tr-odd\"\u003e\n\u003ctd class=\"td-0\"\u003esnare strainer\u003c\/td\u003e\n\u003ctd class=\"td-1\"\u003eThrow-Off Snare Action\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tr-even\"\u003e\n\u003ctd class=\"td-0\"\u003eitem description\u003c\/td\u003e\n\u003ctd class=\"td-1\"\u003eSSD 12 14x7.25 MD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tr-odd\"\u003e\n\u003ctd class=\"td-0\"\u003esnare wire wires\u003c\/td\u003e\n\u003ctd class=\"td-1\"\u003e1 x 14'', 20 steel wires\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tr-even\"\u003e\n\u003ctd class=\"td-0\"\u003eitem no.\u003c\/td\u003e\n\u003ctd class=\"td-1\"\u003e17115601\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tr-odd\"\u003e\n\u003ctd class=\"td-0\"\u003eunit\u003c\/td\u003e\n\u003ctd class=\"td-1\"\u003e1 piece\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tr-even\"\u003e\n\u003ctd class=\"td-0\"\u003eshell plies\u003c\/td\u003e\n\u003ctd class=\"td-1\"\u003e6 plies\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tr-odd\"\u003e\n\u003ctd class=\"td-0\"\u003eshell finish outside\u003c\/td\u003e\n\u003ctd class=\"td-1\"\u003eUnique Motörhead wrap design by Mark Devito\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tr-even\"\u003e\n\u003ctd class=\"td-0\"\u003eshell size\u003c\/td\u003e\n\u003ctd class=\"td-1\"\u003e14'' x 7,25''\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tr-odd\"\u003e\n\u003ctd class=\"td-0\"\u003eshell thickness\u003c\/td\u003e\n\u003ctd class=\"td-1\"\u003e7,2 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tr-even\"\u003e\n\u003ctd class=\"td-0\"\u003ebatter head\u003c\/td\u003e\n\u003ctd class=\"td-1\"\u003eREMO Ambassador, coated white, single ply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tr-odd\"\u003e\n\u003ctd class=\"td-0\"\u003eresonance head\u003c\/td\u003e\n\u003ctd class=\"td-1\"\u003eREMO Ambassador Resonance, smooth clear, single ply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tr-even\"\u003e\n\u003ctd class=\"td-0\"\u003ehoop\u003c\/td\u003e\n\u003ctd class=\"td-1\"\u003e2,3 mm Power Hoop, Steel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tr-odd\"\u003e\n\u003ctd class=\"td-0\"\u003etension rods\u003c\/td\u003e\n\u003ctd class=\"td-1\"\u003e20 square head screws\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tr-even\"\u003e\n\u003ctd class=\"td-0\"\u003ebearing edge\u003c\/td\u003e\n\u003ctd class=\"td-1\"\u003e45°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/form\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

{"id":8952571282,"title":"Focusrite ISA One Classic Analogue Single-Channel Pre-Amp","handle":"focusrite-isa-one-classic-analogue-single-channel-pre-amp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe Focusrite ISA One microphone preamplifier delivers Focusrite's prestigious ISA transformer-based preamp in a rugged and portable chassis, at a ground-breaking price.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003eClassic Focusrite transformer-based mic preamplifier\u003c\/h2\u003e\n\u003cp\u003eAt the heart of the ISA range is the microphone preamplifier with its Lundahl input transformer – essentially the same circuit, based on the original ISA110, that has been used for 30 years in successive Focusrite designs. The input transformer imparts a special character to the sound that can’t be truly emulated in any other way: inseparable from the microphone itself, the transformer input stage is ideal for use with classic microphones. But this mic pre has a twist the original didn’t have, which makes it far more versatile: four carefully-selected impedances allow you to match microphone to input in different ways. Bring out the character of a classic mic or emphasise a special feature, or go for a totally transparent, modern sound – it’s up to you.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cdiv data-media_nid=\"5334\" data-shortcode=\"code\" data-field_machine_name=\"field_tt_code\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"spec-table\"\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003eAnalogue Channel Inputs\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cul\u003e\n\u003cli\u003eXLR Mic input\u003c\/li\u003e\n\u003cli\u003eOne XLR and one TRS line input\u003c\/li\u003e\n\u003cli\u003eXLR Instrument input TRS Jack\u003c\/li\u003e\n\u003cli\u003eExternal ADC input TRS Jack\u003c\/li\u003e\n\u003cli\u003eTRS jack return\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003eAnalogue Channel Outputs\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cul\u003e\n\u003cli\u003eTRS jack send\u003c\/li\u003e\n\u003cli\u003eXLR balanced line output\u003c\/li\u003e\n\u003cli\u003eXLR DI output\u003c\/li\u003e\n\u003cli\u003eTS jack DI through\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003eAnalogue Channel Additional I\/O\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cul\u003e\n\u003cli\u003eTRS Jack cue mix left input\u003c\/li\u003e\n\u003cli\u003eTRS Jack cue mix right input\u003c\/li\u003e\n\u003cli\u003e1\/4” TRS Jack headphones output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec-table\"\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003eMic Input Response\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eGain range\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e0dB to 60dB in 10dB steps + 20 dB of variable gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Impedance\u003c\/td\u003e\n\u003ctd\u003eSwitched Impedance setting Equivalent Input Impedance at 1kHz\u003c\/td\u003e\n\u003ctd\u003eLow = 600 Ohms\u003cbr\u003eISA110 = 1400 Ohms\u003cbr\u003eMed = 2400 Ohms\u003cbr\u003eHigh = 6800 Ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEIN (Equivalent Input Noise)\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e-126dB measured at 60dB of gain with 150 Ohm terminating impedance and 22Hz\/22kHz band-pass filter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNoise\u003c\/td\u003e\n\u003ctd\u003eNoise at output with unity gain (0 dB) and 22 Hz-22 kHz band pass filter\u003c\/td\u003e\n\u003ctd\u003e-97 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSignal-to-Noise Ratio\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e106 dB relative to max headroom (9dBu)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTotal Harmonic Distortion + Noise\u003c\/td\u003e\n\u003ctd\u003eMeasured at medium gain (30dB) with a 1kHz -20dBu input signal and with a 22Hz\/22kHz band-pass filter\u003c\/td\u003e\n\u003ctd\u003e\u0026lt; 0.0009%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003eAt minimum gain (0 dB)\u003c\/td\u003e\n\u003ctd\u003e-0.5dB down at 10Hz and -3dB down at 125kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eAt maximum gain (60dB)\u003c\/td\u003e\n\u003ctd\u003e-3dB down at 16Hz and -3dB down 118kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCMRR (Common Mode Rejection Ratio)\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e98dB (Channel 1, 1kHz, maximum gain with +24 dBu input)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCrosstalk Channel to Channel\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003eWith 10dB@1kHz input to chA, chB output =104dBrA. With 10dB@10kHz input to chA, chB output = 84dBrA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003eLine Input Response\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eGain range\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e-20dB to +10dB in 10dB steps + 20 dB of variable gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Impedance\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e10 kΩ from 10 Hz to 200 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNoise\u003c\/td\u003e\n\u003ctd\u003eNoise at main output with gain at unity (0 dB) measured with 50 Ω source impedance and a 22Hz - 22 kHz band pass filter\u003c\/td\u003e\n\u003ctd\u003e-96 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSignal-to-Noise Ratio\u003c\/td\u003e\n\u003ctd\u003eMeasured with a 22 Hz-22 kHz band pass filter\u003c\/td\u003e\n\u003ctd\u003e120 dB relative to max headroom (24 dBu)\u003cbr\u003e118dB relative to 0dBFS (+22dBu)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTotal Harmonic Distortion + Noise\u003c\/td\u003e\n\u003ctd\u003eMeasured with a 0 dBu input signal, and a 22 Hz-22 kHz band pass filter\u003c\/td\u003e\n\u003ctd\u003e0.0001%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003eAt unity gain (0 dB)\u003c\/td\u003e\n\u003ctd\u003e-0.3dB down at 10Hz and -3dB down at 200kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003eInstrument Input Response\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eGain range\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e10dB to 40dB continuously variable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Impedance\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003eHigh = greater than 1M\u003cbr\u003eLow =greater than 300k\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNoise\u003c\/td\u003e\n\u003ctd\u003eMeasured with 22 Hz-22 kHz band pass filter\u003c\/td\u003e\n\u003ctd\u003eMinimum gain (+10 dB): -92 dBu\u003cbr\u003eMaximum gain (+40dB): -62dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTHD\u003c\/td\u003e\n\u003ctd\u003eAt minimum gain (+10)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003eAt minimum gain (+10 dB)\u003c\/td\u003e\n\u003ctd\u003e-10dB input: 10Hz-100kHz +\/- 0.6dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eAt maximum gain (+40 dB)\u003c\/td\u003e\n\u003ctd\u003e-40dB input: -2.5dB down at 10Hz and 0dB at 100kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003eMeters\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eMoving Coil (MC) Meter\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003efactory calibrated to 0VU = +4dBu with 1kHz sinewave. With the VU Cal button pressed the meter can be adjusted on the rear panel to allow 0VU to equal +10dBu to +26dBu with the centre detent being equal to +22dBu.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePeak LED Meters\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003eCalibrated in the detent position for 0dBFS = +22dBu, calibration is adjustable on the rear panel to allow 0dBFS to equal +10dBu to +26dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"3\"\u003eRouting for MC and Peak1 meter is after the HPF, pre insert send or switched post insert return. Peak2 is always pre ADC channel 2, which can be fed by external input or Instrument input.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLED Levels\u003c\/td\u003e\n\u003ctd\u003eAs follows, when peak calibration is set to center detent on the rear panel. (This is when using the internal ADC).\u003c\/td\u003e\n\u003ctd\u003e0 = +22dBu\u003cbr\u003e-2 = +20dBu\u003cbr\u003e-6 = +16dBu\u003cbr\u003e-12 = +10dBu\u003cbr\u003e-18 = +4dBu\u003cbr\u003e-42 = -20dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003eAt minimum gain (+10 dB)\u003c\/td\u003e\n\u003ctd\u003e-10dB input: 10Hz-100kHz +\/- 0.6dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eAt maximum gain (+40 dB)\u003c\/td\u003e\n\u003ctd\u003e-40dB input: -2.5dB down at 10Hz and 0dB at 100kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003eHigh-Pass Filter\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eRoll-Off\u003c\/td\u003e\n\u003ctd\u003e18 dB per octave (3 pole filter)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFrequency\u003c\/td\u003e\n\u003ctd\u003eFixed 75Hz measured at the 3dB down point\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"spec-header\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan\u003e \u003c\/span\u003e","published_at":"2017-03-02T13:59:00+00:00","created_at":"2017-03-02T14:02:13+00:00","vendor":"Steamboat.ie","type":"studio","tags":["Brand_Focusrite","focusrite","instruments category","instrumentsoffers","preamp","Recording category","studio","Type_Studio Preamp","Type_Studio\/Recording"],"price":39900,"price_min":39900,"price_max":39900,"available":true,"price_varies":false,"compare_at_price":52900,"compare_at_price_min":52900,"compare_at_price_max":52900,"compare_at_price_varies":false,"variants":[{"id":31238445202,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Focusrite ISA One Classic Analogue Single-Channel Pre-Amp","public_title":null,"options":["Default Title"],"price":39900,"weight":1000,"compare_at_price":52900,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/1516\/0380\/products\/isaone.jpg?v=1488463335"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/1516\/0380\/products\/isaone.jpg?v=1488463335","options":["Title"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe Focusrite ISA One microphone preamplifier delivers Focusrite's prestigious ISA transformer-based preamp in a rugged and portable chassis, at a ground-breaking price.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003eClassic Focusrite transformer-based mic preamplifier\u003c\/h2\u003e\n\u003cp\u003eAt the heart of the ISA range is the microphone preamplifier with its Lundahl input transformer – essentially the same circuit, based on the original ISA110, that has been used for 30 years in successive Focusrite designs. The input transformer imparts a special character to the sound that can’t be truly emulated in any other way: inseparable from the microphone itself, the transformer input stage is ideal for use with classic microphones. But this mic pre has a twist the original didn’t have, which makes it far more versatile: four carefully-selected impedances allow you to match microphone to input in different ways. Bring out the character of a classic mic or emphasise a special feature, or go for a totally transparent, modern sound – it’s up to you.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cdiv data-media_nid=\"5334\" data-shortcode=\"code\" data-field_machine_name=\"field_tt_code\" data-block_machine_name=\"block\"\u003e\n\u003cdiv class=\"spec-table\"\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003eAnalogue Channel Inputs\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cul\u003e\n\u003cli\u003eXLR Mic input\u003c\/li\u003e\n\u003cli\u003eOne XLR and one TRS line input\u003c\/li\u003e\n\u003cli\u003eXLR Instrument input TRS Jack\u003c\/li\u003e\n\u003cli\u003eExternal ADC input TRS Jack\u003c\/li\u003e\n\u003cli\u003eTRS jack return\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003eAnalogue Channel Outputs\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cul\u003e\n\u003cli\u003eTRS jack send\u003c\/li\u003e\n\u003cli\u003eXLR balanced line output\u003c\/li\u003e\n\u003cli\u003eXLR DI output\u003c\/li\u003e\n\u003cli\u003eTS jack DI through\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003eAnalogue Channel Additional I\/O\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cul\u003e\n\u003cli\u003eTRS Jack cue mix left input\u003c\/li\u003e\n\u003cli\u003eTRS Jack cue mix right input\u003c\/li\u003e\n\u003cli\u003e1\/4” TRS Jack headphones output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec-table\"\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003eMic Input Response\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eGain range\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e0dB to 60dB in 10dB steps + 20 dB of variable gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Impedance\u003c\/td\u003e\n\u003ctd\u003eSwitched Impedance setting Equivalent Input Impedance at 1kHz\u003c\/td\u003e\n\u003ctd\u003eLow = 600 Ohms\u003cbr\u003eISA110 = 1400 Ohms\u003cbr\u003eMed = 2400 Ohms\u003cbr\u003eHigh = 6800 Ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEIN (Equivalent Input Noise)\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e-126dB measured at 60dB of gain with 150 Ohm terminating impedance and 22Hz\/22kHz band-pass filter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNoise\u003c\/td\u003e\n\u003ctd\u003eNoise at output with unity gain (0 dB) and 22 Hz-22 kHz band pass filter\u003c\/td\u003e\n\u003ctd\u003e-97 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSignal-to-Noise Ratio\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e106 dB relative to max headroom (9dBu)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTotal Harmonic Distortion + Noise\u003c\/td\u003e\n\u003ctd\u003eMeasured at medium gain (30dB) with a 1kHz -20dBu input signal and with a 22Hz\/22kHz band-pass filter\u003c\/td\u003e\n\u003ctd\u003e\u0026lt; 0.0009%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003eAt minimum gain (0 dB)\u003c\/td\u003e\n\u003ctd\u003e-0.5dB down at 10Hz and -3dB down at 125kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eAt maximum gain (60dB)\u003c\/td\u003e\n\u003ctd\u003e-3dB down at 16Hz and -3dB down 118kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCMRR (Common Mode Rejection Ratio)\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e98dB (Channel 1, 1kHz, maximum gain with +24 dBu input)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCrosstalk Channel to Channel\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003eWith 10dB@1kHz input to chA, chB output =104dBrA. With 10dB@10kHz input to chA, chB output = 84dBrA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003eLine Input Response\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eGain range\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e-20dB to +10dB in 10dB steps + 20 dB of variable gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Impedance\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e10 kΩ from 10 Hz to 200 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNoise\u003c\/td\u003e\n\u003ctd\u003eNoise at main output with gain at unity (0 dB) measured with 50 Ω source impedance and a 22Hz - 22 kHz band pass filter\u003c\/td\u003e\n\u003ctd\u003e-96 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSignal-to-Noise Ratio\u003c\/td\u003e\n\u003ctd\u003eMeasured with a 22 Hz-22 kHz band pass filter\u003c\/td\u003e\n\u003ctd\u003e120 dB relative to max headroom (24 dBu)\u003cbr\u003e118dB relative to 0dBFS (+22dBu)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTotal Harmonic Distortion + Noise\u003c\/td\u003e\n\u003ctd\u003eMeasured with a 0 dBu input signal, and a 22 Hz-22 kHz band pass filter\u003c\/td\u003e\n\u003ctd\u003e0.0001%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003eAt unity gain (0 dB)\u003c\/td\u003e\n\u003ctd\u003e-0.3dB down at 10Hz and -3dB down at 200kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003eInstrument Input Response\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eGain range\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e10dB to 40dB continuously variable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Impedance\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003eHigh = greater than 1M\u003cbr\u003eLow =greater than 300k\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNoise\u003c\/td\u003e\n\u003ctd\u003eMeasured with 22 Hz-22 kHz band pass filter\u003c\/td\u003e\n\u003ctd\u003eMinimum gain (+10 dB): -92 dBu\u003cbr\u003eMaximum gain (+40dB): -62dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTHD\u003c\/td\u003e\n\u003ctd\u003eAt minimum gain (+10)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003eAt minimum gain (+10 dB)\u003c\/td\u003e\n\u003ctd\u003e-10dB input: 10Hz-100kHz +\/- 0.6dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eAt maximum gain (+40 dB)\u003c\/td\u003e\n\u003ctd\u003e-40dB input: -2.5dB down at 10Hz and 0dB at 100kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003eMeters\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eMoving Coil (MC) Meter\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003efactory calibrated to 0VU = +4dBu with 1kHz sinewave. With the VU Cal button pressed the meter can be adjusted on the rear panel to allow 0VU to equal +10dBu to +26dBu with the centre detent being equal to +22dBu.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePeak LED Meters\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003eCalibrated in the detent position for 0dBFS = +22dBu, calibration is adjustable on the rear panel to allow 0dBFS to equal +10dBu to +26dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"3\"\u003eRouting for MC and Peak1 meter is after the HPF, pre insert send or switched post insert return. Peak2 is always pre ADC channel 2, which can be fed by external input or Instrument input.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLED Levels\u003c\/td\u003e\n\u003ctd\u003eAs follows, when peak calibration is set to center detent on the rear panel. (This is when using the internal ADC).\u003c\/td\u003e\n\u003ctd\u003e0 = +22dBu\u003cbr\u003e-2 = +20dBu\u003cbr\u003e-6 = +16dBu\u003cbr\u003e-12 = +10dBu\u003cbr\u003e-18 = +4dBu\u003cbr\u003e-42 = -20dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003eAt minimum gain (+10 dB)\u003c\/td\u003e\n\u003ctd\u003e-10dB input: 10Hz-100kHz +\/- 0.6dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eAt maximum gain (+40 dB)\u003c\/td\u003e\n\u003ctd\u003e-40dB input: -2.5dB down at 10Hz and 0dB at 100kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"spec-header\"\u003e\n\u003ch4\u003eHigh-Pass Filter\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eRoll-Off\u003c\/td\u003e\n\u003ctd\u003e18 dB per octave (3 pole filter)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFrequency\u003c\/td\u003e\n\u003ctd\u003eFixed 75Hz measured at the 3dB down point\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"spec-header\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan\u003e \u003c\/span\u003e"}

{"id":8796508178,"title":"Pigtronix Echolution 2 Modulation Delay","handle":"pigtronix-echolution-2-modulation-delay","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eMerging analog tone shaping and DSP processing, the Echolution 2 Deluxe is designed to deliver the ultimate delay pedal experience.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eAchieve the richness of the finest tape echo units by using 100 percent analog, Class-A discrete transistor limiters, as well as non-linear tape emulator stages. Fully capable of handling instrument and line level sound sources, the Echolution 2 delivers a low-noise, high-headroom delay processing with any amp, mixer or DAW rig.\u003c\/p\u003e\n\u003cp\u003eEcholution 2 uses a 24-bit, variable clock, multi-tap delay line where both the read and write heads are simultaneously modulated by a multi-waveform LFO. Changing the delay time results in the smooth pitch bending of an analog delay system but with a Pigtronix twist.\u003c\/p\u003e\n\u003cp\u003eIt's easy to navigate the vast palette of sounds. The pedal is completely programmable, you can save any sound that has been designed by the Echolution and export and share with other musicians.\u003c\/p\u003e\n\u003cp class=\"br\"\u003e \u003c\/p\u003e\n\u003ch2\u003eFeatures \/ Specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e10ms ? 12sec delay time\u003c\/li\u003e\n\u003cli\u003eTrue Stereo i\/o\u003c\/li\u003e\n\u003cli\u003e15 multi tap patterns\u003c\/li\u003e\n\u003cli\u003eTap Tempo or Manual Control\u003c\/li\u003e\n\u003cli\u003e8 Modulation Waveforms\u003c\/li\u003e\n\u003cli\u003e8 Filter modes\u003c\/li\u003e\n\u003cli\u003eLFO Sync to Tap and MIDI\u003c\/li\u003e\n\u003cli\u003eBit Crusher Destruction\u003c\/li\u003e\n\u003cli\u003eReverse Delay\u003c\/li\u003e\n\u003cli\u003eDucking\u003c\/li\u003e\n\u003cli\u003eExpression pedal control of all parameters\u003c\/li\u003e\n\u003cli\u003eEnvelope control of all parameters\u003c\/li\u003e\n\u003cli\u003ePing Pong\u003c\/li\u003e\n\u003cli\u003eOctave Jump Delay\u003c\/li\u003e\n\u003cli\u003eHalo ?Shimmer? Effect\u003c\/li\u003e\n\u003cli\u003eFreeze Effect\u003c\/li\u003e\n\u003cli\u003eDelay Line Bypass\u003c\/li\u003e\n\u003cli\u003eDry Kill\u003c\/li\u003e\n\u003cli\u003eTrails \/ Listen\u003c\/li\u003e\n\u003cli\u003eRemote Preset Selection\u003c\/li\u003e\n\u003cli\u003eComplete MIDI control\u003c\/li\u003e\n\u003cli\u003eMIDI out\u003c\/li\u003e\n\u003cli\u003e60 presets\u003c\/li\u003e\n\u003cli\u003eUSB connectivity\u003c\/li\u003e\n\u003cli\u003eFree PC \/ MAC Editor\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-10-01T12:49:16+01:00","created_at":"2017-02-01T13:41:59+00:00","vendor":"pigtronix","type":"Effects Pedals","tags":["Brand_Pigtronix","Delay","effect pedal","Effects Pedals","instruments category","instrumentsoffers","modulation","Pedal","pigtronix","programmable","Type_Effects Pedal"],"price":29900,"price_min":29900,"price_max":29900,"available":true,"price_varies":false,"compare_at_price":35000,"compare_at_price_min":35000,"compare_at_price_max":35000,"compare_at_price_varies":false,"variants":[{"id":29833151250,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Pigtronix Echolution 2 Modulation Delay","public_title":null,"options":["Default Title"],"price":29900,"weight":10000,"compare_at_price":35000,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/1516\/0380\/products\/echolution.jpg?v=1485956521"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/1516\/0380\/products\/echolution.jpg?v=1485956521","options":["Title"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eMerging analog tone shaping and DSP processing, the Echolution 2 Deluxe is designed to deliver the ultimate delay pedal experience.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eAchieve the richness of the finest tape echo units by using 100 percent analog, Class-A discrete transistor limiters, as well as non-linear tape emulator stages. Fully capable of handling instrument and line level sound sources, the Echolution 2 delivers a low-noise, high-headroom delay processing with any amp, mixer or DAW rig.\u003c\/p\u003e\n\u003cp\u003eEcholution 2 uses a 24-bit, variable clock, multi-tap delay line where both the read and write heads are simultaneously modulated by a multi-waveform LFO. Changing the delay time results in the smooth pitch bending of an analog delay system but with a Pigtronix twist.\u003c\/p\u003e\n\u003cp\u003eIt's easy to navigate the vast palette of sounds. The pedal is completely programmable, you can save any sound that has been designed by the Echolution and export and share with other musicians.\u003c\/p\u003e\n\u003cp class=\"br\"\u003e \u003c\/p\u003e\n\u003ch2\u003eFeatures \/ Specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e10ms ? 12sec delay time\u003c\/li\u003e\n\u003cli\u003eTrue Stereo i\/o\u003c\/li\u003e\n\u003cli\u003e15 multi tap patterns\u003c\/li\u003e\n\u003cli\u003eTap Tempo or Manual Control\u003c\/li\u003e\n\u003cli\u003e8 Modulation Waveforms\u003c\/li\u003e\n\u003cli\u003e8 Filter modes\u003c\/li\u003e\n\u003cli\u003eLFO Sync to Tap and MIDI\u003c\/li\u003e\n\u003cli\u003eBit Crusher Destruction\u003c\/li\u003e\n\u003cli\u003eReverse Delay\u003c\/li\u003e\n\u003cli\u003eDucking\u003c\/li\u003e\n\u003cli\u003eExpression pedal control of all parameters\u003c\/li\u003e\n\u003cli\u003eEnvelope control of all parameters\u003c\/li\u003e\n\u003cli\u003ePing Pong\u003c\/li\u003e\n\u003cli\u003eOctave Jump Delay\u003c\/li\u003e\n\u003cli\u003eHalo ?Shimmer? Effect\u003c\/li\u003e\n\u003cli\u003eFreeze Effect\u003c\/li\u003e\n\u003cli\u003eDelay Line Bypass\u003c\/li\u003e\n\u003cli\u003eDry Kill\u003c\/li\u003e\n\u003cli\u003eTrails \/ Listen\u003c\/li\u003e\n\u003cli\u003eRemote Preset Selection\u003c\/li\u003e\n\u003cli\u003eComplete MIDI control\u003c\/li\u003e\n\u003cli\u003eMIDI out\u003c\/li\u003e\n\u003cli\u003e60 presets\u003c\/li\u003e\n\u003cli\u003eUSB connectivity\u003c\/li\u003e\n\u003cli\u003eFree PC \/ MAC Editor\u003c\/li\u003e\n\u003c\/ul\u003e"}

{"id":8796493522,"title":"Pigtronix FAT Drive","handle":"pigtronix-fat-drive","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"short-description\" itemprop=\"description\"\u003e\n\u003cp\u003ePigtronix FAT Drive is an all analog tube sound overdrive. The FAT Drive’s multiple cascaded gain stages enable you to nail sounds ranging from bluesy overdrive to rich saturation, all while retaining musical dynamics and the original character of your instrument.\u003c\/p\u003e\n\u003cp\u003eFAT Drive takes a futuristic analog approach to\u003cbr\u003ecreate complex crunch tones using CMOS clipping\u003cbr\u003eand a variable low pass filter for tone shaping.\u003cbr\u003eBringing the tone control all the way clockwise\u003cbr\u003etakes this filter completely out of the circuit for total\u003cbr\u003etransparency and robust low end. Rolling the tone\u003cbr\u003econtrol back smooths out the highs, leaving ample\u003cbr\u003emid-range bloom and bottom end punch.\u003c\/p\u003e\n\u003cp\u003eA Hi \/ Lo toggle switch brings additional versatility\u003cbr\u003eto the FAT Drive’s wide-ranging palette of overdrive\u003cbr\u003etones, altering the gain structure for enhanced crunch\u003cbr\u003eand soaring leads. The FAT Drive features true\u003cbr\u003ebypass switching and runs fine on standard 9-volt\u003cbr\u003epower but ships with an 18-volt adapter for superior\u003cbr\u003eheadroom, clarity and overall output.\u003c\/p\u003e\n\u003c\/div\u003e","published_at":"2017-02-01T13:33:00+00:00","created_at":"2017-02-01T13:36:19+00:00","vendor":"Steamboat Records","type":"","tags":["instrumentsoffers"],"price":12900,"price_min":12900,"price_max":12900,"available":true,"price_varies":false,"compare_at_price":20500,"compare_at_price_min":20500,"compare_at_price_max":20500,"compare_at_price_varies":false,"variants":[{"id":29833100626,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Pigtronix FAT Drive","public_title":null,"options":["Default Title"],"price":12900,"weight":10000,"compare_at_price":20500,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/1516\/0380\/products\/fat_drive.jpg?v=1485956180"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/1516\/0380\/products\/fat_drive.jpg?v=1485956180","options":["Title"],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"short-description\" itemprop=\"description\"\u003e\n\u003cp\u003ePigtronix FAT Drive is an all analog tube sound overdrive. The FAT Drive’s multiple cascaded gain stages enable you to nail sounds ranging from bluesy overdrive to rich saturation, all while retaining musical dynamics and the original character of your instrument.\u003c\/p\u003e\n\u003cp\u003eFAT Drive takes a futuristic analog approach to\u003cbr\u003ecreate complex crunch tones using CMOS clipping\u003cbr\u003eand a variable low pass filter for tone shaping.\u003cbr\u003eBringing the tone control all the way clockwise\u003cbr\u003etakes this filter completely out of the circuit for total\u003cbr\u003etransparency and robust low end. Rolling the tone\u003cbr\u003econtrol back smooths out the highs, leaving ample\u003cbr\u003emid-range bloom and bottom end punch.\u003c\/p\u003e\n\u003cp\u003eA Hi \/ Lo toggle switch brings additional versatility\u003cbr\u003eto the FAT Drive’s wide-ranging palette of overdrive\u003cbr\u003etones, altering the gain structure for enhanced crunch\u003cbr\u003eand soaring leads. The FAT Drive features true\u003cbr\u003ebypass switching and runs fine on standard 9-volt\u003cbr\u003epower but ships with an 18-volt adapter for superior\u003cbr\u003eheadroom, clarity and overall output.\u003c\/p\u003e\n\u003c\/div\u003e"}

{"id":8952531602,"title":"Presonus Tube Pre v2","handle":"presonus-tube-pre-v2","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eXMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound garnering them rave reviews from users and the media alike. The 12AX7 vacuum tube that follows the XMAX in the TubePre V2 was hand-selected and carefully tested for electrical conformity and freedom from microphonics. Twist the Drive saturation control to add the “color” that only a hand-selected 12AX7 can deliver — from gentle warmth to total fuzz.\u003c\/span\u003e","published_at":"2017-03-02T13:56:00+00:00","created_at":"2017-03-02T13:57:06+00:00","vendor":"Steamboat.ie","type":"Instruments","tags":["Brand_Presonus","instrumentsoffers","pre","presonus","Recording category","studio","tube","Type_Studio Preamp","Type_Studio\/Recording"],"price":16900,"price_min":16900,"price_max":16900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":31238037586,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Presonus Tube Pre v2","public_title":null,"options":["Default Title"],"price":16900,"weight":1000,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/1516\/0380\/products\/TubePre_V2-02.png?v=1488463029"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/1516\/0380\/products\/TubePre_V2-02.png?v=1488463029","options":["Title"],"content":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eXMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound garnering them rave reviews from users and the media alike. The 12AX7 vacuum tube that follows the XMAX in the TubePre V2 was hand-selected and carefully tested for electrical conformity and freedom from microphonics. Twist the Drive saturation control to add the “color” that only a hand-selected 12AX7 can deliver — from gentle warmth to total fuzz.\u003c\/span\u003e"}